“The ground on which we stand is sacred ground. It is the dust and blood of our ancestors.” – Chief Plenty Coups, Crow
Whenever I visit a new city, the first thing I like to do is pay my respects to her oldest monument.
Like the towering 12th century St. Stephen’s Cathedral in Vienna. The ancient, sprawling Palatine Hill in Rome. A ruined Moorish lookout tower in the village of Zahara de la Sierra in Andalusia. The 1000-year old dragon tree on the island of Tenerife.
Or, when I’m back in my hometown Lahore, the 10th century shrine of Ali Hajveri, the city’s patron saint and one of South Asia’s most celebrated sufis.
It’s kind of like how you make it a point to greet elders first at a family gathering, or how you always pop in to say salaam to Aunty Uncle or Daadi Daada when calling at a friend’s.
Why is it considered proper to do this?
Because age, when tempered by experience and good sense, is wisdom. And wisdom commands respect.
Our parents, grandparents and great-grandparents are the pillars of our community, our connection with the past. And much of who we are – our tastes, our temperament, the intonation of our voice, that dimple on the chin – we owe directly to them.
So it is with cultural heritage.
It’s an intangible thing, our relationship with heritage; a deep, spiritual connection that can’t be quantified, only experienced.
Like the feeling of awe you get when entering a breathtaking mosque or cathedral, in all its glazed tiled, stained glass, soaring glory. The wonder of walking through a mind-blowingly modern city like 1st century Pompeii. The peace of contemplating the Fasting Buddha at the Lahore Museum.
Or the tingling horror of seeing before you the torture instruments used during the Spanish Inquisition.
Heritage speaks to us. It moves us, because it’s an intrinsic part of ourselves. It tells us who we are, where we come from and what we’ve done – for better or for worse. Heritage gives us identity.
So when human beings destroy cultural heritage – whether purposefully, as invaders and extremists have done throughout the ages, or out of sheer stupidity and greed, as often happens in Pakistan – they aren’t just blowing up bricks and stones, or splashing white paint on a delicately frescoed tomb.
They’re erasing the identity of a society. By blotting out pieces of the past, they leave us a fragmented, rootless future. They leave us without a story.
Years and years ago, there used to exist a temple here. A sculpture. A library. A place of beauty, intelligence and culture.
But you will never know it. You will never wander its ruined pathways, finger its mossy stones, or feel that inexplicable sense of belonging, the warm pride of knowing, “My ancestors built this. And I am a part of this mysterious, timeless story.”
What will you build on now? Where will you find inspiration? How will you write the next chapter of the story?
I often feel a strong sense of déjà vu when visiting old places. There is power there, the coming together of a thousand wills, of history being constructed, brick by brick and thought by thought. Being in these places, you begin to see things differently; you begin to understand why people look the way they do, why they speak in a certain way, why they create certain things – why they are who they are, for better and for worse.
It’s like seeing old photographs of your grandparents and great-grandparents and starting at the resemblance: “That looks just like me!”
You may not like what you see, but you can’t ignore it’s there.
Cultural heritage is part of our DNA. We have a right to claim it, to cherish it, and interpret it the way we choose.
And we have a duty to preserve it, so our children and their children may also have a sacred place to call their own.
So they may also draw on that ancient repository of stones and memories, be reminded of where their ancestors went wrong – and where they went beautifully right.
So they may continue writing the story.
“I’ve learned that making a ‘living’ is not the same thing as making a ‘life.’” ~ Maya Angelou
Whenever I meet somebody new and they find out, during the course of the conversation, that I’ve been jobless for over one year, living in a foreign country where I have no family or prior acquaintances, and where I just barely speak the language, they look at me incredulously, stupefied: “But what do you do all day? How do you survive? Aren’t you bored to death?”
Let me just mention here that my lack of gainful employment has little to do with laziness, unwillingness, or the “handsome fortune” I may possess, and mostly to do with my legal status in Spain (residencia sin trabajo – residency without work), coupled with the language barrier (dam, rather) that I’m still slowly chipping away at.
But I find it odd, the amount of importance people attach to what you “do” for a living. I myself used to be one of those people: ever since college, I had never been without a job of some sort, full-time, part-time, internship, fellowship, what have you. Even though I wasn’t particularly ambitious or “career-driven”, I took pride in the work I did, because I saw it as a “productive” use of my time, as a contribution towards my own financial wellbeing, and as a logical step forward in my profession, another glittering addition to my resume. And, even if none of that held true, at least I would have a response to that piquing, unrelenting question, the backbone of social banter – “So, what do you do?” I could define myself in one neat, clean, impressive title, and immediately win the other person’s respect. That felt good.
So what happened when I followed my Erasmus Mundus PhD candidate-better half to Spain? What happened when the prospect of landing a job of any kind – let alone related to my career – was suddenly as bright as a Lahori home on a sticky summer’s night? (non-Lahoris/Pakistanis, look up “load shedding” on Wikipedia!)
Well, like any respectably assiduous person, I was frustrated; frustrated with my lack of “productiveness”, uncomfortable with my own free time, guilty of spending money when I wasn’t earning any, guilty of letting my Berkeley Master’s degree “go to waste”; apologetic of my “situation” in general, sighing deeply and resignedly whenever the topic came up…
But the truth is – I wasn’t unhappy. Six months down the line, I was pretty darn happy, and far, far from bored. Society tends to evaluate people based on degrees, paychecks, publications, trophies, on solid, tangible proofs of “success” and one-word descriptions of what they “do for a living”. “I’m a doctor – actor – teacher – writer – cleaner – waiter …” As if nothing exists beyond the ambit of those rectangular brackets.
But we are so, so much more than what we do. The tragic part is that most people never have the time, the opportunity or the motivation to explore themselves beyond the one-word labels, to spill out over the edges of their rectangular holes. I figured: I’m here in this fantastic European city, lucky enough to have time, opportunity and buckets of motivation – could I really complain about my “situation”?
Now, when someone asks me the invariable, the pedestrian, “So, what do you do?”, I cheerfully reply, “Well, I’m currently employed with living”, and present to them the following list:
Apart from taking regular classes at the Karnak School of Oriental Dance in Madrid, I started teaching Bollywood Dance earlier this year with Tara, my partner-in-crime from across the Wagah border. Our group, Mantara, recently performed at a Diwali Dance Fiesta, where our lovely alumnas did splendidly well. Throw in Indo-Pak feasts at the local (Bangladeshi) restaurants and mini-dholkis at my house, complete with mehndi (henna), chai, retro Bollywood music videos and Coke Studio Pakistan, and home doesn’t feel so far away!
I also recently joined Voces de Ida y Vuelta, a multicultural, multlingual choir that performs at local fundraisers and charity events. Grouped with the sopranos, I’m currently working on reaching glass-shattering pitches and memorizing Cuban, Chilean, Brazilian and Gabonese songs, with many more canciones to come – including one from Pakistan!
I don’t “make” art (unless you count photography), but Madrid is such a fantastic place to see and appreciate all kinds of art – for free! – that you can’t help soaking it up every day, as you casually stroll through an exhibition at the neighbourhood gallery or at a random cafe, at the former Post Office, the one-time slaughterhouse or tobacco factory, at Retiro Park, or in the graffitied alleys of Malasaña. Over the course of my artistic education in Madrid, I’ve decided that I don’t particularly like (or understand) Picasso, but Dali I find fascinating (though I don’t fully understand him either). I’ve also decided that if a painting looks too much like a photograph, then it isn’t a good painting. There, my two cents of artistic wisdom!
Following up on an old dream (not inspired by Indiana Jones!), I volunteered for an archaeological excavation (read: labour camp) this summer, in the small town of Pollena Trocchia in the south of Italy. Together with 20 bright-faced archaeology undergrads from the U.S., U.K., Canada and Europe (I had to represent the brown people of the world), I dug, scraped, shoveled, pick-axed, sifted, wheelbarrowed and rolled around in incalculable amounts of volcanic soil at the site of an ancient Roman Bathhouse and Villa, destroyed in 472 C.E. by the eruption of Mount Vesuvius. Needless to say, working as a mazdoor under the hot Neapolitan sun and living like a mazdoor (10 perpetually filthy people sharing a perpetually filthy dorm and bathroom) gave me a whole new appreciation of the academic world, of airconditioned libraries and sparkly-floored museums, not to mention of my own sparkling bedroom and bathroom. But, inspite of it being one of the most physically challenging things I have done in my life, I’m not “cured” of my archaeology illusions quite yet!
I’ve always been fond of tinkering around in the kitchen, and every new place inspires you to add new dishes to your repertoire. So, apart from the classic spaghetti bolognese (Pakistani style), the best Thai Green Curry you’ll ever have this side of the Pacific, and my special death-by-chocolate brownies, here are some other hearty goodies you’ll get to sample at Casa Manal. (Note: These photos are not my own, but I swear, the food looks just like this!)
If there’s one place we’ve spent more time in Madrid than any other, it’s Retiro Park. Madrid’s main park used to be a retiro, a retreat for Spanish royals until the late 19th century, when it was opened to the public. It’s big, it’s beautiful, and you can do absolutely anything you want there, from running, biking, rollerblading, boating and gyming to yoga, tai chee, frisbee, slacklining, dancing (thanks to us!), to watching magic shows, puppets and live music, seeing art exhibitions, enjoying a coffee, lemonade or sangria (whichever you prefer), to dozing quietly in a shady corner – a little piece of paradise in the heart of Madrid.
Apart from continuing Spanish classes at C.E.E. Idiomas and regular intercambio coffee dates with my Spanish girl friends, I’ve added a new item to the daily study regimen – Spanish TV soaps. I’ve never been much of a TV buff, but there’s a certain pleasure in ensconcing yourself on a sofa with a blanket and a box of cookies and watching a dramatic story of some other place and time unfold magically infront of your eyes on an HD TV screen. And here in Madrid, I have an excuse to watch all the TV I want! From the weighty life of Spanish “Reconquista” Queen Isabel to swashbuckling adventures in the Spanish American colonies to a feudal family drama set in a Franco-era Castillian village, I’ll be speaking the Queen’s (500 year-old diction of) Spanish in no time!
I joined the WWF (World Wildlife Fund) Madrid Volunteer Network shortly after arriving in the city, but was initally too scared to go to their weekly and monthly activities (tree plantings, bird censuses, plodding around marshes and other strange things that only me and my partner-in-crime from across the border would find enjoyable). We did make it to the Earth Hour event though, inspite of the pouring rain, proving our mettle as die-hard WWF supporters and being rewarded with Panda T-shirts. I plan to join the regular field activites as soon as the weather warms up, this time with reinforced Spanish!
9. Travel & Photography
Perhaps the best part about living in Europe is the travelling – within a few hours flight from Madrid I can be in any number of different European capitals, each with a different language, different architecture, food and feel. And if you plan in advance and are a savvy deal-hunter like I’ve become, the trip won’t cost you a euro more than it would have in your shoestring student-budget days.
But there’s so much to see in Spain itself that we haven’t yet been tempted by elaborate holidays abroad. I watch with satisfaction as the souvenir magnet collection on our fridge steadily grows, as do the number of photo archives on my computer. For me, travelling is pure thrill – every time I go to a bus terminal, a train station or an airport, I feel slightly giddy, as if I were 8 years old and about to step into Disneyland. Each time I’m wandering the streets of a new city, curiosity and a camera in hand, I feel that strange sense of belonging everywhere, yet of belonging nowhere.
And each time I travel, I’m reminded about how beautiful the world is, how diverse the world is, and how similar we all are – all of us humans, busily making lives and earning livings in whatever little patch of earth we call home. In the end, no matter what we do or don’t do, happiness doesn’t come to us. It flows from within.