Lahore
Warmly Winter
Published in Pakistan’s “Women’s Own” Magazine, December 2010
It’s finally happened.
The knock on the door, and an outstretched palm containing a steaming plate of food.
Chicken-and-veggie rice casserole or Palestinian maqluba, to be specific, on a plastic white flower patterned plate.
Yes, Mama Jama the landlady brought us dinner!
And it couldn’t have been at a more opportune time. In my missionary zeal for bhoono-fying, I had just burnt the aloo gosht. Mama Jama probably smelt the aroma of charred onions drifting down the staircase and took pity on us.
Of course, it’s not that I was expecting her to. It’s not the reason I’d show up at her doorstep every other week with a lovingly-prepared bowl of kheer, zarda or melt-in-your-mouth gulaab jaaman.
I was just being neighbourly.
And testing out my (extremely novice) Pakistani dessert skills.
And skirting the guilt of single-handedly consuming 2 pounds of sugar in one afternoon – an inevitability if said bowl of kheer or gulaab jaman remained in my apartment, thanks to the relentless sweet tooth inherited from my dad.
Yes, I am an epicure (fancy word for greedy). If it were up to me, I’d either be at home baking apple pies and chewy chocolate brownies before proceeding to do justice to their goodness, or I’d be outside in a café or bakery sinking my teeth into the congenial warmth of freshly-baked cinnamon roll, red velvet cupcake, almond croissant, pumpkin pie, strawberry cheesecake, piping hot apple pie or chewy chocolate brownie, with my nose between an equally delicious New York Public Library book.
Luckily, I have a very active and health-conscious husband, who, a) makes sure that I never find more than 50 cents in my wallet at whatever random moment the sweet tooth calls, rendering me helpless in the face of heavenly-smelling street stalls and petite cafés with bothersome minimum-cash policy; and, b), manages to drag me out somewhat regularly for a bit of exercise.
Our current physical activity is rock climbing – on the boulders of Central Park. So, if you ever happen to be strolling near Columbus Circle on a Saturday morning and see two figures attached to a rock – one, strong, athletic, moving swiftly across the rock face like a demo picture from “The Self-Coached Climber”, and the other a ball of play-dough smushed against the wall – you’ll know it’s us.
I have to say though, as much as I was dreading another East Coast winter, there is a charm about it, a crisp-coloured storybook charm.
I don’t know if it’s in my brown BearPaw boots, or the toasty knit cap and woollen mitts that I gleefully don every morning; the feel of a hot Starbucks hazelnut latté between my fingers or the beautiful bareness of Central Park, the crunch of leaves beneath my feet, and the blossoming of Christmas lights on 5th Avenue. Ice skating at Bryant Park, followed by a cup of steaming apple cider and a stroll through the dazzling holiday market, a veritable Santa’s workshop; the pleasant conviviality of huddling with strangers in the 8×8 floor space of Kathi Rolls or Mamoun’s Falafel in the Village, exchanging smiles over a shami kabab roll and shared hearth; or, maybe it’s just the indescribable comfort of home, where you return from the cold with relief and bliss in your heart – given that the heat is working, which you can trust it to be if you’re on food-exchange terms with the landlady.
Of course, slopping through puddles to do your laundry or buy a carton of milk is another matter, as are the thundering hailstorms that sound as if they’ll break straight through your skylight and flood the apartment, the sodden subways and the razor-sharp winds whipping through the labyrinth of high-rises ready to slice off your nose, or having to wear the same inflated down jacket for five months until you are resigned to looking like the Michelin Tyre Man in every photograph.
But no matter how much I complain about it now, winter was always my favourite season in Lahore. I would dream about it the whole year – dream of the day, sometime in November, when the gas heaters were unearthed from the store room and dusted out, when bright chunky sweaters and printed Aurega shawls were unpacked and sunned to get rid of the minty smell of mothballs.
The marvelous halvas my mother would begin to ghot-ofy in the kitchen, gajar, anda, sooji, and my personal weakness, chana daal, the rich smell of ghee and shakkar permeating the entire house in its intoxication; the blood-red pomegranates and succulent oranges we’d eat sitting out on the dewy lawn, the dogs snoozing under the chairs, wrapped up in a brown khaddar shawl that smelt of faded Chanel No. 5.
Even going to LUMS in the morning was fun, dressed in a gigantic sweatshirt and sitting on the sidewalk across the cafeteria after class, watching the steam from the PDC teacup mingle with our cloudy breaths, as the fabled Defence fogs circled in around us from the empty stretches of Phase 5, and we pretended we were in a Sci-Fi movie…
Winter was synonymous with Ramzaan and Eid, with grand tented shaadis, Capri nashtas and apple sheesha at MiniGolf, starry walks, sunny picnics, bonfire dances; lying curled up on a floor cushion in front of the heater in your living room, looking out at the lights of the 600-year old Lahore Fort from the rooftop of Cuckoo’s on your cousin’s December birthday, or blushingly saying “Hello” to your soul mate in the back rows of a Gymkhana concert…life didn’t get any better than a winter in Lahore.
And though I am here now, and New York City beckons with its lights, treats and newfound friends, and I am happy with my new life, I still dream of those magical Lahore winters, old friends, old shawls, ancient forts, and the fresh, pink-cheeked days that hold some of my most precious memories …
And that’s alright. Because time doesn’t flow if you don’t dream.
California Dreaming
Published in Pakistan’s “Women’s Own” Magazine, November 2010
I’m sitting on a Virgin America flight to San Francisco, sandwiched between two very distinct gentlemen: one, a rotund avuncular specimen happily cuddled into a hot pink inflatable pillow, and the other a goggle-eyed, fuzzy-lipped stick figure equally absorbed in a game of Doom on his personal TV.
Meanwhile, I’ve been nibbling on the egg and cheese Panini I bought from JFK five hours ago. Consider yourself lucky if you even get a complimentary packet of peanuts on a domestic U.S. flight; the crisp coleslaw sandwiches and squelchy shahi tukray of PIA en route to Karachi are but a distant fantasy. Ah, PIA, I forgive you the screeching babies and leering uncles and assiduously obnoxious 5-year olds kicking behind my seat for the sake of those shahi tukray!
There it is again – that incorrigible nostalgia I’ve been wallowing in of late. It also happens to be the sole motivation behind this trip to the West Coast. San Francisco, Berkeley, Bay Area! What don’t I miss about that place? The deep blue waters of the Bay, the impossibly puffy white clouds, the crunchy-freshness of the air, the swaying palms on the horizon? Or the incredible purple-gold sunsets over the Golden Gate Bridge, which I watched from the steps of the International House in Berkeley every evening on my way back from class…
Then there were my favourite haunts – the thrift clothing stores where you could find tassled Pocahontas skirts, Dashikis and BCBG jackets all on the same rack, Berkeley’s answer to Zainab Market and the place I’d inevitably splurge half my work-study paycheck. Those wondrous second-hand book stores, musty and chaotic, where wiry old men in suspenders smiled benignly at you over their wire-rim glasses, exactly the kind you’d expect to hand you a copy of “The Neverending Story” and promptly vanish. The board game shop that I never spent less than an hour in each time I entered.
The diminutive Taiwanese baba in a coolie hat who stood on a bucket all day chanting “Happy, Happy, Happy” and holding anti-Bush and anti-Dalai Lama placards; the crazy campus bum who earned his daily bread by charging people to swear at him (I think the rate was a dollar per minute). The roadside jewellery stalls on Telegraph Avenue, a riot of feathers, seashells and antique Afghan silver; the proliferation of Pakistani fast-food joints, free Lipton mixed chai and plastic cups of kheer; the refreshing absence of chain stores till as far as the eye could see, save for the errant downtown Starbucks. The fixture of anti-war protestors on Sproul Plaza, the Native American chief who lived in the trees and ran for Berkeley mayor, the weedy-smelling People’s Park and my homeless old Vietnam-veteran friends who strummed away my favorite Eagles’ songs on the grafittied pavements.
Crazy, beautiful, bubble-of-a-Berkeley, just my kind of place. But most unforgettable of all were the friendships, forged over the unforgettably tasteless food they served at the International House, where I lived two years during Journalism School.
So, when I found out that Z’s company was sending him to Los Angeles for work, I immediately pulled out my old Dashikis and peasant tops and gotay-wali kurtis from the suitcase under the bed – no way was I missing out on a trip to California either!
As for New York City – well, I’m learning to like it. Getting out of the house definitely helps, which can be quite a challenge for a ghar ghussoo or homebody like me. As I blissfully look around at the avocado green walls of my apartment, the potted Pothos plant hanging from the ceiling, the block-print Gultex tablecloth, the beauteous kilm gracing the dark brown floor of the living room, which my mother brought over from Lahore this summer, the mantelpiece full of books, and as I inhale the scent of caramel-vanilla candles and sandalwood incense, listen to the birds chirping in the trees, and open my fridge to admire the lasagna, apple pie, leftover homemade Pad Thai and housewarming chocolate pastries, I think: who in their right mind would want to step out of this piece of heaven? Out there, into the puddles and gloom, odiferous subways and tourist-yapping streets?
Actually, I have been forced to step out. I have been forced to communicate with people other than my husband, the Palestinian landlady and the Indian-Guyanese cashier at the grocery store – courtesy my two jobs.
Yes, I’m working! The hitherto unemployed, Master’s degree-holding housewife has found not one, but two jobs (Thank you, thank you). I have joined the ranks of the active labour force. Now I too get to catch the morning train at rush hour along with the rest of the dapper designer bag-clutching Stieg Larsson-obsessed populace. I, too, grumpily slam down the alarm clock at 7 a.m., gulp down a bowl of cereal, throw on a slightly crumpled H&M button-down, and shoot down the stairs to the subway with the alacrity of somebody who’s just been informed that Michael Jackson has come back to life – all to sit in a windowless office staring at a computer screen for 8 hours straight, with a meager 15 minutes at lunchtime to eat your humble turkey sandwich, and, if it’s a particularly exciting day, exchange a few words other than the mechanical “Good Morning” with your ambitiously poker-faced colleagues.
Sounds tempting, doesn’t it? It’s true, jobs are overrated. Work is overrated. A necessary evil. At least that’s what I’ve concluded from my weeks of face-reading and eavesdropping on the jam-packed subways, and from my own (brief) brush with a 40-hour work week. I’m already beginning to daydream about the “Era of Gainful Unemployment”: extended tea sessions with Mama Jama the landlady over half-a-dozen wedding albums and Syrian soap operas, 5-hour long grocery store binges, simultaneously reading Kafka, Tolstoy and Orhan Pamuk, walking with no purpose. The “Era of Frustrated Unemployment” has been conveniently glossed over, like a Pak Studies History book, as has the even more miserable “Job Application Process”. Dissatisfaction, thy name is me! Of course, it would be an entirely different matter, if, say, I actually found that elusive “dream job”, or, if I even knew what that was…
“Ladies and Gentlemen, we have begun our descent into San Francisco International Airport. Please switch off all electronic devices, bring your seat backs to an upright position…”
Yay! The announcement I’ve been waiting for! Peering over the globular uncle’s hot pink pillow, I catch a glimpse of the blue water, the green hills, the red arches of the Golden Gate from the window. Memories flood back to me. I remember the moment when, over 3 years ago, I landed in this city as a graduate student, straight out of LUMS, moving away for the first time from the only home I had ever known. I remember teasing my mother at the forlorn finality of her goodbyes – “Ammi, I’m going to come back, you know!” But she knew better.
And though I can’t wait to see all the places and people I loved, the nooks and crannies and eccentricities of this place I grew to call my second home, I also feel a little nervous. Will it be the same?
I often feel this way landing in Lahore. Is going back ever the same? Or do those beloved places and people inevitably move on, and leave you behind, so that the only way you can enjoy them is through nostalgia, through memory?
Perhaps they don’t change at all. Perhaps the change is in you.
PS: I had an absolutely fabulous time in California. Can’t wait to go again.
PPS: In case you were wondering, the beady-eyed furry creature(s) in the oven have been eliminated.
A Different Sort of Eid
Published on The Express Tribune Blog, September 14th 2010
Watching Pakistan’s Aisam-ul-Haq Qureshi almost win the Men’s Doubles Final at the US Open in New York – not a bad way to spend Eid.
Throw in a velvety lump of gulab jaman gratis the Bengali uncle at Spice Corner, beaming from behind the counter in an embroidered black kurta; some papery pista-encrusted bakhlava from the toothless Palestinian landlady, her troop of grandchildren hurtling through the building in a jumble of satin and plastic wands; and a cup of spongy ras malai from Curry in a Hurry, served by a waiter in a Jinnah cap with a retro Shahrukh Khan-Madhuri Dixit video playing on the TV – I’d say Eid was downright unforgettable.
We hadn’t planned on it. I was expecting it to be a pretty ordinary Friday, minus the 100-odd phonecalls to the 100-odd friends and family scattered across North America, an attempt to cook sheer khorma wearing gold bangles and a chiffon shalwar kameez that still smelt of neem leaves from my jahez trunk, followed by dinner at the Lebanese place down the street when my husband came home from work, and a two-person Eid jamaat in the living room, infused with jasmine incense for added effect.
But all that changed when Aisam Qureshi and his Indian partner Rohan Bopanna – nicknamed the Indo-Pak Express – zoomed into the US Open Men’s Doubles Final on Wednesday, September 8th, making history there and then as the first Pakistani to reach a Grand Slam Final, in the first major tournament that an Indian and Pakistani – sworn enemies from birth, some would have us believe – were playing on the same team.
I’m not a huge tennis fan, but when I read the news that night on my laptop, sitting in the blissful calm of our TV-less apartment, I made up my mind: “We have to go”. There were no two ways about it. We had to go support Aisam, even if we didn’t understand why the deuce the commentator kept saying “Laav” every two minutes.
24 hours, a Craigslist hunt, and a hotel lobby rendezvous later, we had four Friday tickets to Arthur Ashe Stadium in our hands and a breathless mixture of hope and disbelief in our hearts – What if they won? They had made it this far. Could it be? Could this historic India-Pakistan duo beat the Bryan Brothers, identical twins playing tennis together from the age of 2, with 65 Double’s Titles titles to their name ? Could Aisam be the hero and ambassador that Pakistan so desperately needed, in this her darkest of hours, on this blessed Eid day?
1:30pm, halfway through the second set, 4-4. We had gradually inched to the edge of our seats. Anything could happen now. I was trying to control the urge to holler a “Buck up Aisam buck uppppppp!”, an almost genetic reflex after a lifetime of cricket-watching – which, it turns out, is a very different experience from tennis-watching – but every so often a screeching “AiSaaAAAmmM!!!” would escape from our girly green corner, much to the horror of the surrounding goras.
We didn’t care. It was bad enough we had to forego the face-paint and gigantic flag in our hurry to catch the 7 train. Tennis needed some good old desi jazba.
I still wonder, if we had cheered a little louder, prayed a little stronger, would an invisible force have lifted up Aisam’s arm for that winning stroke?…
Probably not.
But though the Indo-Pak Express didn’t win the title, Aisam was still the hero. He was the hero in that 23,000-seat stadium, packed with Americans, a pocket of Indians and just a handful of Pakistanis, with his youthful smile, passionate smashes, an endearing hint of nervousness, and the heartfelt speech at the awards ceremony that brought everybody to their feet.
He was our Lahori boy who started playing tennis with his mother when he was 14 because it beat staying indoors doing homework.
He was a real guy. And he proved that with talent and hard work, you could get anywhere. More importantly, he showed to all Americans watching the game that day why Pakistan deserved respect – respect, and right now, more than ever, support. The Bryan Brothers have donated $5,000 to the Qureshi family’s relief fund for flood victims, and with Aisam in the limelight, one hopes that other athletes follow their example.
Thanking the Bryans for their donation, shouting out an Eid Mubarik to the crowd and a Happy Birthday to his sister back home, and expressing to America a simple message – “We want peace just as much as you do” – Aisam brought out the best of Pakistan.
It’s about piling up in the car for the annual visits to your endless roster of relatives, from Anarkali to Multan Road to the Gulberg III cemetery; the date brownies at your phuppo’s and the anday ka halwa at your khala’s, playing Taboo or Monopoly with your cousins till midnight or watching Michael Jackson videos on your chacha’s new TV system while the grown-ups laughed boomingly away in the drawing room, because no matter what you would always be eight years old in their eyes, and that was a great feeling.
I wasn’t with my parents this Eid, nor my cousins or khalas and khaloos, chachas and phuppos. Eid dinner consisted of my husband and I with a remotely-related United Nations-veteran New Yorker-aunt and a third cousin whom I had never met in my life, at a Chinese-Indian fusion restaurant on Lexington and 28th. Stir-fried bhindi and gobi manchurian.
But I was with family. It was Eid, I was a proud of Pakistan, and Aisam-ul-Haq Qureshi had waved at me. It was a good, good day.
An Independence Day in New York
My sister and I were window-shopping in Chinatown the other day when an oddly familiar sight met our eyes – a gaggle of googly-eyed brown faces with oil-drenched hair and electric white grins poking out of a car window. “Oye, desi ho?!” they yelled in chorus, the words bouncing back and forth through the depths of the 10-seater vehicle.
My sister and I turned away pretending not to hear, but we couldn’t control an involuntary chuckle from spreading across our faces. It was the 7th of August, exactly one week before the birthday of the country that we, and that vanful of lafantars, called home.
Growing up in Lahore, Independence Day or Jashn-e-Azadi meant three essential things: the perfect flag, forest-green and Mickey Mouse-free, to be hauled up a day before on the rooftop; the night drive down Mall Road, to see the city bedecked like a bride in mirchi lights and the accompanying car-top bhangra; and the annual military parades in Islamabad, aired on PTV at 8 in the morning, which my dad would drag us out of bed to watch. I’m sure he intended it to inculcate a serious sense of patriotism in us, though at the time I was quite content with my homework-less monsoon day, nan haleem and biryani for lunch, and the mix tape of pop-national anthems that I bought every year from Off-Beat to play in the house till bedtime.
This year – this year was different. Instead of the usual itinerary of flags, floats, songs and speeches – which was readily available in New York City – my first Independence Day in America consisted of Macy’s, a Starbucks Frappuccino, Tere Bin Laden in a half-empty theatre, and a Punjabi cab driver’s pithy piece of advice: accent-learning classes.
“Beta,” he told me very sincerely. “Agar aap nein yahan rehna hai, you need an American accent. Otherwise, you a second-class citizen.” He grimaced. “Yeh log baray ghatia hotay hain.”
Mr. Chaudhry – that was his name – went on to suggest some instructional CDs that he had availed of himself.
“Did it help you, uncle?” I asked innocently.
“Well, beta, I don’t know,” Mr. Chaudhry laughed, a little sheepish. “In my jaab you don’t have to taak much!”
Of course, I had no intention of surrendering my beloved South Asian-British accent – unlike Ali Hassan, the ambitious but flaky TV reporter played by Ali Zafar in Tere Bin Laden, whose wannabe wide-mouthed drawling is so convincing – “Moz-lems”, “baams”, “Pack-is-TAN” – he’s thrown off the plane to New York and denied a U.S. visa 6 years in a row.
It was one of many satirically funny moments in the movie, produced in Bollywood but set in Karachi, about a chicken-raising Osama look-alike whom Ali Hassan wheedles into “starring” in a fake OBL video: a desperate wager for passage to America, the land of Hassan’s dreams.
But there was something deeper to it than the seemingly superficial need to adopt an accent. There was a finality to it, the knowing that you are never going back, that you can’t go back, even if you wanted. And the thought that crossed my mind this 14th August was – was there even a Pakistan to go back to anymore?
My home would still be there, yes, my house in D.H.A., Lahore, my island. But the country, the nation, crippled by corruption and somebody else’s war, with a fifth of its territory under water and 20 million people in need… What of that? Was such devastation fathomable? Was recovery possible?
“The total cost of reconstruction and rehabilitation is not even countable,” said Pakistan’s Foreign Minister Shah Mehmood Qureshi , at a Pakistan Flood Response event hosted by the Asia Society’s New York headquarters on August 19th. The other speakers, including U.S. Special Envoy to Pakistan and Afghanistan Richard Holbrooke, USAID Administrator Rajiv Shah, the presidents of Oxfam America and the International Rescue Committee, and representatives from Save the Children and the Asian Development Bank, acknowledged that global response had initially been slow. They went on to pledge their long-term support, and appealed to all Americans for assistance. Many numbers were quoted, figures thrown around, comparisons made; bigger than Katrina, bigger than the Tsunami, bigger than Haiti, 17 million acres of agricultural land destroyed, 3.5 million children at risk of fatal diseases…
There was talk of climate change, of the economy, of extremism, that “thrives in anarchy and chaos”…
It was a calamity of unparalleled proportions. Everybody knew it. But what brought tears to my eyes was this 3-minute video, which was screened before the Foreign Minister’s speech. “The world cannot forget about this in a matter of days or weeks, like a passing news item,” I thought. “This needs to stay in people’s minds, because it’s far from over.”
And so, it was bittersweet, and cruel, this month of August, this feted month of freedom, when people thronged the streets and danced in the rain, when the monsoons were celebrated with prayers, a burst of heaven for the parched land…This August, over 20 million people – more than the population of New York State – had lost everything, while we, the thousands of Pakistanis in America, watched from afar with growing despair, living in the country that was, yes, our favourite enemy, the source of so many of our troubles, but also, in some way or other, the land of our dreams, our friend in need?
“Pakistan matters,” Holbrooke had stressed, “not just because of its neighbours. We want to be the first, to give the most.”
“Thank you, America,” the Foreign Minister had intoned, “for taking the lead.”
Perhaps it was a little too fervent, a little too soon to say; and though this was a tragedy to eclipse all tragedies in the pages of our young history, I thought, maybe, just maybe, it would be, it could be, a new beginning, a better beginning, a new page?…
Please donate generously to the relief efforts at UNICEF, UNHCR, The Rural Support Network, The Citizens Foundation, or any of the organizations listed on this website.
Ode to Pakistani Music
I listen to a lot of music – Dire Straits, The Beatles, Pink Floyd, U2, Led Zeppelin, Bob Dylan, Def Leppard, Michael Jackson, Bob Marley, Santana, Counting Crows, Lifehouse, Jason Mraz, Shakira…everything from classic rock to salsa, Celtic, Middle Eastern, West African, Native American…I have 26 Putumayo albums on my iTunes (thanks to you Urvi!), plus an illimitable collection of BBC World Music Award Winners from my days at FM91 in Lahore. I can sing along to almost all of them, in somewhat mangled Spanish, Turkish, Persian, Arabic, French, Wolof, a smattering of Mandarin.
It feels cool. It feels like you’re “a citizen of the world”.
Yet every so often, you feel a pang in your heart; a yearning, a hunger almost, to hear the sounds of your childhood, the rippling rhythm of the tongue your mother used to sing you to sleep, the hearty banter of shopkeepers and radio on the streets, the spirited voice of your jokes, your laughter, the stories you told each other during recess, no matter how much English they tried to hammer into you in class…
Wasn’t Dil Dil Pakistan the first song you ever knew the words to, in all its smooth-shaven, skinny-limbed, cableless-electric-guitar glory? The first crush you had Shehzad Roy – holay holay, mera dil ye dolay! – and the first concert you went to Strings or Awaz (ideally at Gaddafi Stadium, open-air!), armed with a cushion, waterbottle and a box of egg sandwiches, watching thousands of yellow flames bobbing in the darkness as you sung your heart out to Sar Kiye Ye Pahar or Ae Jawan?
Or the first time you danced at a mehndi, awkward pre-teen feet struggling to keep sync with hands, vowing there could be no song on the planet faster than Hawa Hawa!
How about that first time you heard qawwali, Nusrat Fateh Ali Khan at Gymkhana, sitting on the carpets infront with your arms wrapped around two gow-takkias – precious booty at Gymkhana concerts – the uncles and aunties swaying in ecstacy, little black-kneed kids bouncing about on the stage, and your mouth agape at this great man’s phenomenal voice and size?
And, no matter who you were or where you lived, in the city, slum, village or mansion, or even in a 30-storey apartment building oceans away, didn’t your heart always beat a little faster, your eyes flash with an inner joy, at the chorus of Jazba Junoon?
Then, you grew older, tapes turned to CDs, and there was Noori, Atif Aslam, Fuzon, Strings reborn, strumming guitars under the bamboo shade at college, crooning Manwe Re and Aadat to pieces, “reporter” visits to Ali Noor’s house, ice cream with EP, peace concerts and an unfortettable birthday invite, setting eyes on the person you were going to marry in the backrows of a Junoon concert…
And, now? Now there’s Coke Studio.
Brainchild of ex-Vital Sign’s bandman Rohail Hyatt, the Coke Studio TV series started three years ago as a platform to bring together musicians of various genres from all over Pakistan, creating “a musical fusion of exciting elements and diverse influences, ranging from traditional eastern, modern western and regionally-inspired music.“
The result? Some absolutely incredible pieces of music, the kind of which I’ve never heard before (I’ve compiled some of my favourite performances from the past two seasons, plus the current season, on a YouTube Playlist). Most of the songs are very spiritual; in fact, Pakistani music, especially folk and classical, is inherently Sufi-istic, inspired by love and devotion and inspiring devotion in turn. For instance, Alif Allah, a collaboration between Arif Lohar, renowned Punjabi folk artist and perhaps the only person in the world who plays the chimta – tongs! – and Meesha Shafi, model-actress turned lead singer of goth-rock band Overload. Below is the original in Punjabi, with an English translation of the lyrics here.
Don’t also miss Sari Raat Jaga, Jalpari, Paimona…and many more great performances to come on the current season!
Mera dil nahin avail-lable koi aur khat-khat-khataa!
Scents of Ithaca
I woke up this morning with the smell of damp earth and wild flowers tickling my nose. I imagined I was in my room in Lahore, lying on that beautiful Sindhi-tiled rosewood bed my dad had unearthed from some curio shop in Karachi, the plum-coloured curtains flapping in the breeze and the jaamun tree outside my window bristling with dew. There would be halwa puri and aaloo cholay for breakfast downstairs, and Ammi Abbu would be sitting eating sliced oranges with chaat masala in the front lawn reading the Sunday paper, with our two Alaskan huskies Sabre and Tara gracefully curled at their feet…
I rubbed my eyes. No, I wasn’t in Lahore. I was in our apartment in Ithaca. But outside, it could’ve been Lahore, on a rain-fresh, life-affirming November day. “I’m going for a run,” I announced, a newfound interest since my high school track champ husband Z bought me a pair of purple Nike running shoes for my birthday.
As we jogged along on the clean wet pavements, wind rustling in the oaks and maples overhead, purple tulips and yellow daffodils nodding in their beds below, past the shingled cottages, blue, pink, red and white, and in the distance, the rolling hills of Cornell, silhouetted dark green against a steel blue sky, I breathed in the cool, redolent air and thought, “Ithaca really is beautiful. I’m going to miss this place”.
I wouldn’t have said that nine months ago. Soon after we moved to Ithaca last Fall, and Z settled into his school routine, leaving for class every morning at 8 and returning at 6 in the evening, I found myself a prisoner in our apartment: tinkering around in the kitchen, vacuuming and re-vacuuming the bedroom, re-arranging the cushions on the sofa, trying to decide what to make for dinner…Days, sometimes weeks went by when he was the only person I talked to face-to-face.
I felt frustrated – and I was annoyed at myself for being frustrated. But it couldn’t be helped. How many books could you read, how many BBC miniseries could you watch, how excited could you possibly be about cooking when you had to do it everyday? The fact was, I had never been the “domestic” or ghareiloo kind – though I had imagined I would be if given the opportunity – and never in my life had I been so unoccupied, so uncomfortably free. Till now, every moment had been replete with people, parents, sister, cousins, aunts, uncles, friends, teachers, classmates – something to do, somewhere to be, something due, something planned, someone to talk to. I had even complained about it sometimes – Oh, I wish I had more time to myself! – and now that I had that time, I didn’t know what to do with it.
I blamed Ithaca. Dull, boring place. No jobs to be had, no friends to be found, no sign of life after 7 p.m., sub-zero temperatures 3/4ths of the year, nearest grocery store a 40 minute bus ride away on a bus that came every hour… How was one to live in such a place? Weeks of job-hunting and CV-submitting turned up nothing – even the local Barnes & Noble never got back to me. I was so mad I vowed to defect to Borders. “They probably thought you were over-qualified,” said Z to comfort me.
But I wasn’t comforted. Innumerable possibilities crowded my mind as I sat daydreaming in my red arm chair, of New York City, of the Bay Area, of Lahore, of what I might have achieved had I been there, of what I might have made of myself. Oh, what if?…
That was nine months ago. Z is about to graduate now, and our move to the big city is just weeks away – the start of our new life, on our own feet, the excitement, the rush of people on the street, the plays and the concerts, that dream job, glowing above in the neversleeping neon ether…
I’m excited. But more than that, I am at peace, because I understand now what I achieved in Ithaca, what I found – something more precious and infinitely more satisfying than any job could have been.
I found two friends, Elsa and Silvano. The moment we met, at the door of our apartment, where the landlord and local godfather Carl Carpenter had brought them in his cherry-red pickup, the “nice Mexican couple” who had just got into town and were looking for a place to live, I knew we were kindred spirits. It was the kind, laughing eyes, the ready smile, the same room at the Hillside Inn. We could talk about books and movies, music, religion, ideas and dreams for hours on end, till we’d look up and see the empty restaurant tables and anxious faces of the waiters, and cry out, “What, it’s been four hours already?” We laughed at the same jokes, took immense pleasure in “Big Brother”-bashing, reveling in our non-Americanness, whispering animatedly of conspiracies and capitalism lest the identical blond-beefy-biker family sitting next to us at the food court overheard. The Beatles, Dracula, Scorcese, 1984, Pictionary, Canon cameras and 5K runs, achari chicken and tostadas, Tampico and Lahore, Urdu and Spanish…it all seemed one. Urdu and Turkish, too, and aromatic tea from a petite hand-painted glass cup, cranberry muffins and Turkish delight, bangles and Rekha and two adorable two-years olds in shalwar kameez with cake on their face. Alev, Demir and the twins, my Ithaca family. It began with an email, a response to a Craigslist ad, my first freelance video-editing gig; turned into Urdu lessons and babysitting, playing with puzzles and building blocks, cushiony footballs and cars, singing “Lakri ki Kathi” and “Chanda Sooraj Laakhon Taare”; ended with sisterhood. They threw me a party on my birthday, a beautiful picnic in the park, gifted me their comfylicious Papasan, just because I had once said in passing that I liked it. I was overwhelmed by their affection; I felt I had left some mark on their lives, as they had on mine, found a relationship that would last. Could I have said the same about proof-reading papers for the Cornell Astronomical Society, cashiering at Barnes & Noble? When one of the Taiwanese students I tutor got an A on a final paper I edited, or the Chinese visiting scholar’s request for an interview with a D.C. official was finally accepted, with the help I’d given him in his letter, and they said to me with endearing directness, “We are so lucky to have you” – how could I have underrated that feeling, that sentiment, that satisfaction?
We came back from the run, and I made spicy baked eggs for breakfast, one of beautiful Shayma’s wonderful recipes. My husband did the dishes while I read aloud a chapter from “Brave New World”, Elsa and Silvano’s birthday gift to me and sequel to our recent Orwell craze. Afterwards we sat listening to George Harrison on Pandora while Z worked on a presentation and I wrote this post, with the doors wide open and the smells of spring enveloping our little one-bedroom house, evoking memories of different times and places, mingling past with present.
In Other Rooms, Other Wonders, and other Pakistans
One of the perks of being a “Cornell spouse” is uninhibited access to the university library. So, once every month, I descend into the stacks at Olin with an empty Jansport backpack, the bars on my cell phone dwindling with every step into that delicious musty labyrinth, to emerge a few hours later with books piled up to my chin, like the fat little mouse Gus in Disney’s Cinderalla and his teetering armload of cheese. Setting down my own bits of cheese on the circulation desk, I proudly flourish the shiny blue-and-white Cornell ID Card, and walk out with an immensely satisfied look on my face , 20 pounds worth of books pulling happily on my shoulders and many weeks of apple-pie reading ahead.
The book I just finished is Daniyal Mueenuddin’s “In Other Rooms, Other Wonders”, a collection of short stories about Pakistan. I had heard about Mueenuddin – praise for the most part, from friends, and a cousin who knew him personally – but for some reason I hadn’t been particularly motivated to read his book, until prompted by a certain Bangladeshi friend from Berkeley. I had been in the middle of a book of short stories by Rabindranath Tagore when I messaged him: “Have you read these? They’re incredible! So witty, wise, sad, ironic..” I raved, and to my surprise he replied: “No, actually I haven’t read any of his stories. But have you read Daniyal Mueenuddin?”
One cannot compare the two at any rate – Tagore is a giant, a saint, a genius – but it suddenly struck me that all this time I had unconsciously been avoiding Pakistan writers. I think the last Pakistani novel I’d read was Kartography, or Moth Smoke – years and years ago. I don’t know why I’d been ignoring them, especially considering that there were just a handful. Perhaps it was my conception of books as windows to other worlds – other times, histories, cultures, people, different and fascinating – and Pakistan was all too familiar.
But Mueenuddin’s stories left me puzzled, stunned – I knew as little about the world he described as I knew about Naguib Mahfouz’s Cairo or Tagore’s rural Bengal. Nawabdin electrician, Saleema, Zainab, Rezak – all these people were alien to me, foreigners, their private lives detached from mine by an invisible wall. Of course I knew people like them – we kept servants at home, like any well-off Pakistani family, and most of them came from the villages surrounding Lahore. But I really knew nothing about them, the cook, the maid, the chowkidaar, the sweepress, the driver, all the people who worked in my house; I knew nothing beyond the rudiments, the apparent facts. I liked to think that I was friends with the maidservants, those pretty, smiling young girls who washed and pressed my clothes and dusted my room everyday; at least I had every intention to be friendy. But would I ever know what they really thought about me, or any of us, what they said to each other in the confidence of the kitchen, the one space in the entire two-storey house that belonged to them? Could one of them be a Saleema, could my cook be a Hassan, could the driver be having an affair with the sweepress half his age? In our house?
It was unimaginable. These ideas had never occured to me, till very recently, when my mother – obviously privy to all the servants’ politics – started to discuss them with me and my sister, suddenly deciding that we were “old” enough. I think it happened when that new maid was hired, the 21- year old widow (so she told us) whom my sister and I nicknamed “Pocahontas” at first sight, so tall, golden and raven-haired she was. After the first few days of feverish excitement among the male servants – all married – the burly cook huffingly announced to my mother that the girl had to be dismissed, she “wasn’t right”. Sahi nahin hai baji. That was all he said. My mother, with her calm, instinctive wisdom, understood everything. She later told us that the young widow apparently had a habit of parading topless on the terrace of the servants’ quarters, causing quite a commotion, and not one slip-up – including the grumpy cook and even one of the neighbor’s kitchen boys. I will never forget my initial shock and disbelief. “These things happen, Minu,” my mother had said in her soothing way, half-amused at my incredulity.
Of course these things happen. Mueenuddin’s stories revealed that secret world for me. And when he wrote of K.K. Harouni in his attitude towards his servants’ personal lives, “He didn’t particularly care one way or the other, except that it touched on his comfort”, I realized that it was, more or less, painfully true.
But I understand even less about the “other” world – K.K. Harouni’s, Sohail’s or Lily’s, or any of the wealthy people in Mueenuddin’s book. I’m not like them. We’re not like them. My family doesn’t own apartments in London or Paris, my father has never touched alcohol, my mother doesn’t wear saris or grape-sized emeralds in her ears everyday, we don’t socialize with people called “Mino” or “Bumpy”, neither have we ever hosted Tsunami-themed parties with artificial beaches in the lawn, or been invited to one – thank God for that. We know who these people are – in our family we call them the “filthy rich”. Perhaps my father is acquainted with some of them through work, we see them at weddings and other big events, and in the social pages of the Sunday magazines. But there’s is a separate universe. Reading about them in Mueenuddin’s book, I found myself shocked once more. Ecstacy? Getting drunk on bootlegged alcohol, sleeping around? In Pakistan?? How little I knew! How naive I was! Were there only three kinds of Pakistanis then, the struggling, servile poor, the opportunisitic middle-class like Husna and Jaglani, and the hedonistic elites? Where did my family fit in?
I grew up in inviolable purity. In retrospect, I think it almost hilarious, how little I knew of anything – I can just hear my best friend Zohra laughing delightedly at my scandalized face at some story or other – but I treasure that. I value that, I wouldn’t call it ignorance, but security, that preservation of my inner child. Little things, tiny things, inconsequential for some people maybe; not knowing the smell of alcohol, for instance, till I was a 23-year old graduate student at Berkeley, passing through the dorm to my room on a Saturday night; never having been on a “date” with anyone but my fiance (now husband); still shy of wearing a sleeveless kameez infront of the family elders. The possibility of premarital sex did not exist – the idea of sex itself was, for the longest time, something mysterious, slightly embarrasing, and not particularly fascinating. Outside of marriage, it was an impossibility. It was not only because of our Muslim upbringing, but my personal beliefs, as they evolved with age; grounded in Islam, nourished by the various volumes of Sufi poetry scattered about the house, shaped into an intimate, spiritual, almost mystical view of life that I carry with me everywhere.
I remember how upset I was when some of my friends started smoking in high school – a habit I still dislike but have grown to tolerate, with a roll of my eyes and half- laughing censure. I’ve accepted many other things since then – have “grown up”, though somewhat unwillingly. I am not one to judge anybody, not people from other societies and cultures nor fellow Pakistanis. And yet, my heart is still floating in that prism – sepia-tinted, “old-fashioned”, you might call it – where there is nothing sordid, no taint or speck to marr its clear beauty. Loyalty, fidelity and honesty are things you take for absolute granted; there is no other way to speak to a servant but with the utmost respect, even more than you give your parents; and there is was no other way to look upon your parents but with love, understanding and forbearance, even if you feel angry or wronged. You can go bury your face in the pillow or brood for an hour in your bedroom, but to raise your voice, to actually “fight” or quarrel with them? It never crossed our minds. I tremble at the thought.
As I finished reading “In Other Rooms, Other Wonders”, with a strangely sad feeling in my stomach, and tears for the “Spoiled Man” Rezak welling up in my eyes – my favourite story in the book – I thought, “This is a depressing country, this country of ours.” These were tragic stories, with no real faith, comfort or redemption for any of the characters, the peasant woman or the feudal lord. Their lives seemed empty, hollow, unfulfilled.
But that is not the Pakistan I know. It is not my Pakistan.
One day I’ll write a story about the Pakistani life I knew – a beautiful life, with its share of ordinary family problems, but beautiful, and wholesome, spirited, and simple. One day I’ll write a story about my family, the poets, lawyers, doctors, artists and engineers, never poor, never too rich, and in my memory never anything but upright, dignified in everything they did. That is the only way I saw them, and that is all I knew.
When in America, do as the Americans don’t
I wrote this piece for a class on Immigration Reporting at Journalism School last March, right before I left for Spain to film a short documentary about Pakistani immigrants in Barcelona.
Identity is such a fluid thing – parts of it change every time you move, make new friends, do something different in life – and parts of it are simply unalterable. I can’t say I feel exactly the same now as I did when I wrote this, but it was a very strange and interesting part of my life, shared I think by many Pakistanis studying or living abroad.
Published in The Express Tribune Blog, August 25th 2010
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Rediscovering nationality in the melting pot
MANAL AHMAD, PAKISTAN: I was spring-cleaning my laptop a few days ago when I came across these two pictures. Normally, I wouldn’t have even noticed them, buried in virtual stack-loads on my hard drive, the blessing and bane of digital photography. But, my general sense of awareness about “culture” and “identity” somewhat heightened of late, I paused to look, and was struck by the utter incongruity of it all. Not just the photographs, but of myself – in Pakistan, an English-sprouting, skinny-jean-wearing junk-food-eating, American Idol-watching “Westerner”, and in America, a jingly, jangly, Urdu-priding, chai-chugging, public transport-taking “Pakistani”.
I moved to California from Pakistan in 2007 to start graduate school at UC Berkeley. Though I had come as a student, I experienced much of what a new immigrant experiences – curiosity, bewilderment, loneliness, discrimination, independence, and – unexpectedly enough – a conscious need to re-affirm my “identity”. During the 22 years I lived in Pakistan, this had only occurred to me on a handful of occasions – cricket matches against India, for example, or when the enormous green-and-white flags appeared on 14th August, Independence Day, only to disappear a day later.
At the upper-class, English-medium, private university in Lahore I attended for my Bachelor’s, there was a course called “Pakistan Studies: Culture & Heritage” that we were required to take before graduating. Ironically, it is in this class that we were thoroughly “de-nationalized”. In this class, taught by a radical Marxist Yale-educated professor, we learnt there was no such thing as a “Pakistani”.
Then what was Pakistan? Little more than a project of India’s Muslim intellectuals, feudal elite and the British colonial government. The very concept of “nation-state” was foreign to the Indian subcontinent; it was forced upon us by the British, and Pakistan was the direct result. At independence in 1947, less than 10% of the people in Pakistan actually spoke Urdu, the national language; most spoke regional languages like Punjabi, Sindhi, or – Bengali! Yes, because Bangladesh used to be a part of Pakistan, until it seceded in 1971, which of course didn’t do much for consolidating our national identity.
Add to that the fact of the vast economic disparity in the country, 6th most populous in the world, where 1/4th of the people live below the poverty line and 54% have no basic education – I, who started learning English at age 4 and grew up watching Disney cartoons, had a computer at home ever since I can remember, ate out with friends every weekend at American Pizza Huts dressed in jeans and cute tops because that’s what was cool and shalwar kameez was something only our mothers wore or we kept for formal occasions – I was obviously the exception.
That is not to say I didn’t enjoy my culture, as I knew it. I loved it, yes; I loved my traditional embroidery, the block-print and mirror-work, the silver jewelry. I loved my home-cooked food, the grand weddings, the Mughal architecture, Ramadan and Eid, sufi-rock; but I loved it, like a visitor, like a curious traveler, collecting souvenirs, taking pictures. Pakistan was a colorful, exotic TV series, which I could switch on whenever I wanted, and switch off whenever the beggars and child laborers and hungry people came on.
My world was very different. Did I really know anything beyond it? No.
Then, I came to America, the place where what little “nationality” I had might have melted away completely. But quite the opposite happened.
I remember the funny warm feeling I got when I saw the first restaurant sign that said “Pakistani cuisine” in Berkeley (later to discover that desi or South Asian food was a local favorite and that there were hundreds of such restaurants all over the Bay Area). “Hey, that’s my place!” I would think with pride, and proudly order in Urdu, and tell him to make it extra spicy, because of course that’s what I was used to. I would stare at the food, my food, that all these foreigners, these Americans seemed to enjoy so much, mystified at the sight of them eating with their hands, tearing the naan into morsels and scooping up the bhindi or aaloo gobi – food so utterly commonplace that you couldn’t find it at even a roadside stall back in Lahore.
I felt a surge of joy at taxi rides, when I would invariably get a Pakistani or Indian driver (yes, Indian counted too, but that’s another complex affinity, another story). I would invariably smile at any man or woman I passed who looked desi to me – maybe I would talk to them at the bus stop or in a store – and how thrilled I was if they understood Urdu!
Perhaps the most bizarre thing was paying $20 to dance bhangra at a San Francisco club called “Rickshaw Stop”. A bhangra club? That didn’t make any sense! Bhangra was what guys did. They did it at weddings to live drummers, or in Punjabi music videos, or in the villages. You didn’t dance bhangra for any other reason. And how would a girl dance bhangra in the first place? Why would you ever even need a lesson in bhangra? It was all too confusing.
But when I saw what it was all about, I realized with a start: this was as much foreign to me as to everyone else in that room. This was bhangra? This incredible complicated sweaty aerobic choreographed performance that all these goras (literally, “white people”, but meaning any Westerner) seemed to be enjoying out of their minds?
Well, I decided I wanted in – I decided that this was mine, it was mine to own, it was Pakistani, and I could do it better than any of these goras because this is what we did back in Pakistan, didn’t we? And everyone believed me.
Why did I need to re-affirm my difference, my uniqueness, my identity in the melting pot? Why did I feel more Pakistani in America? I don’t really know. Is it because in this country, “ethnicness” is generally prized, coveted, glorified? Or, as a human being, you struggle to identify with a group because you find strength in groups, so you meet, talk to and befriend people you may never even have acknowledged back home – just for the color of their passport? Is that hypocrisy?
In Pakistan, I would never talk to my cab driver. I’ve never dream of taking a cab in Pakistan by myself. But here – it is a bonding experience. Here, I trust a desi cab driver over all others. He might have been a criminal back home, for all I know. But in America, it doesn’t matter. We are the same.
And sometimes I find myself thinking – if all Pakistanis moved to the U.S., we might actually be a nation – a much better nation! We would work hard, we wouldn’t have to bribe or take bribes to make our way in life, and we could communicate with each other, without suspicion or pretense or awkward social barriers.
But the question is, is it even real? Or do we find this strange affinity only because we stereotype ourselves to fit American expectations and tastes, shaking hands and serving them chicken tikka masala while pretending its “authentic”?
The last vestige of nationality probably lies in the accent. The moment people stop asking you what part of the world you’re from when you talk to them – you’re lost. You’ve become American. You drop your T’s. You’ve successfully “assimilated”. And for this confused “Westernized” desi, for whatever illogical irrational reason, that’s not a compliment.
Lahore’s Old City
As this is my first post, it seems fitting to dedicate it to Lahore, my beautiful hometown. I haven’t lived there for 3 years now, so I’m aware that much of my nostalgia is tinted. But what does it matter? Lahore will hold endless fascination and mystery for me, if only in my imagination. This is a “brief” history of Lahore’s inner city, the “Androon Shehr” in Urdu, that I wrote as part of my thesis at college, with my cousin and constant companion Sana. Here is an excerpt, minus the footnotes! Any additional lore, fact or fiction about Lahore is welcome :) You may also want to read Chowk: Musings at a Crossroads.
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“Lahore of blissful waters, be praised
The goal of old and young, Lahore
I do not think that in the seven climes
A place so lustrous exists, as Lahore.”
– Talib-i Amuli, Ghaznavid poet
Hindu legend has it that, nearly three millennia ago, Loh, one of the sons of the god Rama, hero-king of the epic “Ramayana”, founded a city on the banks of the river Ravi. He called the city Loh-Awar – “The Fort of Loh” in Sanskrit. Situated on a naturally elevated alluvial plain at the gateway between the mountains of Kashmir and waters of the Indus, Loh could not have chosen a more scenic or strategic location for his city. Today, we know Loh-Awar by one of the numerous variants of its name that survived: Lahore.
The original site of Lahore, believed to have existed somewhere in the foundations of the Lahore Fort, is now found only in myth and imagination. However, historical evidence suggests that the “core” of the city, what is known colloquially as the Androon Shehr, assumed its present shape and form in the aftermath of the Ghaznavid invasion in the 11th century. Hitherto a mysteriously abandoned Hindu principality, the city underwent a veritable transformation at the able hands of Malik Ayaz, governor of Lahore under Mahmud of Ghazna. It is said that Malik Ayaz built up the walls and gates of the city in one miraculous night; whether or not that is true, Lahore, the capital of Mahmud’s Indian provinces, soon grew to rival the city of Ghazna itself as a centre of wealth, learning and culture.
Lahore suffered many reversals of fortune in the ensuing centuries, the inevitable target of countless invaders, plunderers and would-be kings – from the Ghauris to the Mongols, Taimur the Lame to Bahlul Lodhi – owing this fate both to its geographical location and to the stories of its splendour. However, it was not until 1526, when a certain Taimurid prince from Ferghana decided too to try his luck in the plains of the Punjab, that Lahore regained the status and security it had enjoyed in Ghaznavid times. That young prince was Babar, the first Mughal emperor, and his dynasty, firmly anchored in its North Indian strongholds, had come to sta y.
Thus the city of Lahore, together with Delhi and Agra, witnessed the apogee of its career under Mughal patronage. Merchants, scholars, musicians, lovers, travellers from both ends of Eurasia, thronged its narrow streets; Eastern and Western poets alike eulogized the city for its “palaces, domes and gilded minarets”, for the “enchantment” locked within the burnt-bricks of its miraculous walls. In 1584, the Emperor Akbar shifted his royal residence to Lahore, renovating the Fort, constructing nine guzars (residential quarters) within the city, and rebuilding its walls and gates. His son Jahangir, likewise, continued the legacy of the sponsorship of arts and architecture in the city of his birth; English visitors to Lahore, especially frequent since Jahangir granted trading rights to the East India Company in the early 17th century, described it as “a goodly great city, one of the fairest and most ancient of India, exceeding Constantinople itself in greatness”. But it is Jahangir’s son, Shah Jahan, who earned for himself the repute of greatest of Mughal emperors, at least in terms of wealth and architectural opulence. Under Shah Jahan, Lahore glittered and flourished like never before: “a handsome and well-ordered city”, “crammed with foreigners and rich merchants” and “abundant in provisions”, in the words of Niccolo Manucci, an Italian physician serving at the Lahore court in Shah Jahan’s reign. The Wazir Khan Mosque, Shish Mahal (“Palace of Mirrors”, within the Lahore Fort) and Shahi Hamam (“Royal Bath”) in the Walled City, as well as the Shalimar Gardens in the suburbs, are but a few remaining testaments of the prosperity of the age, while the Taj Mahal in Agra has acquired iconic status.
Yet, already in Shah Jahan’s lifetime, Mughal coffers had begun to shrink, and the reign of his younger son Aurangzeb, last of the great Mughal emperors and builder of the Badshahi Mosque, was plagued with all the uncertainty and instability of a dynasty running the final pages of its history. With the death of Aurangzeb, Lahore, like the remaining parts of the Indian subcontinent still outside the control of British traders and self-styled governors, fell victim to the cruel vicissitudes of politics. The relentless raiding of the Afghan Ahmad Shah Durrani, and later Shah Zaman, and their furious battles with the Sikhs over the sovereignty of Lahore left the city permanently scarred. When the Sikh forces, led by Ranjit Singh, ultimately took power in 1797, they inherited a desolate township with crumbling walls, which they proceeded to loot and destroy, so that in 1809, an English officer described Lahore as “a melancholy picture of fallen splendour, of which now only the ruins are visible.”
But Lahore saw the beginning of the most damaging phase of its history in 1849, when the British purchased the province of Punjab from the incumbent Sikh Maharaja. The colonial authorities did not loot or plunder the Inner City as previous invaders had; they Orientalised it. While they did engage in major renovation projects in the Inner City, repairing portions of the Lahore Fort, Badshahi Mosque and other buildings destroyed by the Sikhs, their efforts were centred upon the development of the Civil Lines and Cantonments, which lay beyond the perimeter of the Walls. Suddenly, the Inner City became synonymous with the “Old City”. Invisible barriers were erected between “native” space, symbolized by the crowded, “quaint” streets of the Androon Shehr, and the manicured, tree-lined “colonially produced” space without– the origins of dualism, the modern-traditional dichotomy that prevails in postcolonial cities to this day.
Numerous crafts and trades, associated with and sustained by the demands of a royal court (Ghaznavid, Mughal and Sikh), met their inevitable demise with the British interlude – for example, the manufacture of elaborately wrought weaponry. Other court-related skills, such as miniature painting and fresco-work, were stripped of their former utility and relegated to the status of antiquated “arts”, fit to be practiced in Art Schools alone. Yet others, such as gold embroidery, silk-weaving and brass- and copper-smithing, continued to persist, though they catered to a diminishing “inside” population, relative to the rapid settlement of “outside” areas by colonials and indigenous nouveau riche. At the same time, the British initiated an irreversible process of change within the Androon Shehr, especially through the act of removing much of the old walls of the city as a precautionary measure against urban revolt, which became a genuine threat in the years following the Mutiny, or War of Independence, in 1857.
On the eve of decolonization, the Androon Shehr was still considered a prestigious, if not an affluent area, the cosmopolitan home of Lahore’s old, well-established families, of upper-class literati, bourgeois merchants and vagabonds alike. But Partition violence, concentrated in the border cities of the Radcliffe Award, devastated the fabric of the Androon Shehr’s society on an unparalleled scale; “The Walled City was shaken to its foundations”. The inhabitants of the Shehr, riled by communal hatred, wreaked havoc upon their own city – the gates were vandalized, bazaars were burnt, and entire neighbourhoods razed to the ground. Depopulation of the religious enclaves, coupled with the waves of migrants from across the border, turned Lahore into a rootless city of ruffians and refugees. From this massive convulsion, the Androon Shehr never truly recovered. It was the point of no return.
It was also the point of new beginnings. In the freshly conceived country of Pakistan, Lahore retained its age-old position as capital of the Punjab, yet the intensive redevelopment work that followed, under the auspices of the Lahore Improvement Trust (LIT), did not aim to “preserve” what was left behind. It aimed to remake. The debris was levelled clean by bulldozers, the narrow streets giving way to large thoroughfares and new markets, with little or no consideration to the surrounding architecture. Yet, in what seems an ironic or perhaps expected sequel to colonial activities, Lahore resumed to expand outwards, with the LIT concentrating its construction efforts upon areas such as the Civil Lines, and the new suburban communities of Model Town, Gulberg, G.O.R., Mayo Gardens and so on.
Meanwhile, the Androon Shehr was left to its own devices, and change was inevitable, though difficult to define. The Shehr was not impervious to the contemporary forms of modernization enveloping the surrounding city, yet, up till 1979, more than 80% of its built stock still comprised of Mughal structures, and most of the Lahore Development Authority’s public and municipal development programs continued to focus on the newer parts of the city.
Today, the Androon Shehr, as a physical space, is a mass of old, beautiful, rotting buildings and dusty, twisting streets, with choked gutters, unreliable water supply and precarious housing – home to “over a quarter of a million people, the largest concentration of urban poor in the country”. The government as well as academia profess to take keen interest in “arresting the decay of the city to preserve the nation’s heritage”, but the superficiality of their claims is borne out by observing the ground reality in the Shehr itself. The prominent monuments within the Shehr, mainly the Fort, tombs and older mosques, are repeatedly made the targets of much-advertised “historical conservation” and tourism campaigns, while the inhabitants of the City themselves, their lives and grievances, are conveniently overlooked in the media and other popular discourse.
It seems, in another ironic sequel to colonial Orientalism, that, for the people living “outside”, the Walled City exists solely for its historical value, a “suspended” site where only “traditional” time and place must be celebrated; the inexorable transformations taking place within the Shehr are altogether ignored. As it happens, however, the reality of the Androon Shehr differs sharply from the intentions to propel it as “a museum and relic of past glory”.
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