In May 2012, I was lucky enough to take what was truly a once-in-a-lifetime trip, to a remote corner of the Hindukush mountains in northwest Pakistan. Near the town of Chitral (at an elevation of 3, 700 ft), and a 26-hour drive from my hometown in the plains, Lahore, the Kalash Valley is home to a small but unique tribe of people, the Kalash, “the wearers of the black robe”, Indo-Aryans who settled among these rugged peaks thousands of years ago, and have held on to their ancient beliefs, language and customs since then, while the rest of Central Asia assimilated to Muslim culture.
We visited the Kalash village of Bumburait at the time of their annual Spring Festival, “Chilum Josh“, and got the chance to see the iconic Kalash in all their pomp and glory. Their population, which was once fast declining due to forced conversions, is now on the rise; protection by the Pakistani government and growing local tourism has helped them maintain cultural independence.
Let this album take you on a photographic journey, from the windswept highways of Khyber Pakhtunkhwa province to the bustling streets of Chitral town, to the vibrant, beautiful faces of Kalash women and the windy, shadowy alleys of their hamlets on the hill.
Many thanks to the brilliant folks at Adventure Travel Pakistan for organizing the trip!
Published in the Express Tribune Blog, October 4th 2011
A friend from Lahore recently asked me, “What would you miss most about New York if you were to move back to Pakistan right now?”
I thought about it for a few minutes. Unlike many Pakistanis living in the U.S. I knew, I wasn’t particularly attached to this country, or to New York.
To me, it was just another city – a hard city, a cacophonous city, where bright lights and gleaming skyscrapers belied the darkness, the sadness, the grime and the poverty in the corners; where glamour, spectacle, a veneer of ethnic diversity thinly concealed the underlying greed and racism.
I had no great love for New York; my heart still belonged to Lahore, and it was Lahore that I forever looked for, in every street sign, in every face, in every smell and neighbourhood.
But there was one thing.
“Freedom”, I replied to my friend. “That’s what I would miss.”
It wasn’t the freedom to wear a tank top or mini-skirt in public, to dance at a nightclub or get a tattoo; it wasn’t the freedom to hop on a train or bus at any hour of the day and go where you wanted, come home when you pleased; the freedom to attend any kind of rally, concert or film screening that suited your fancy, to make friends with any colour or class of people you chose, to walk out on the street at 2.a.m. for some ice-cream from the 24-hour deli, to nap under a tree in Washington Square Park.
No, these were superficial freedoms. It was something deeper than that.
It was the freedom to be.
Growing up in Lahore, I didn’t ever ask myself – Why are all the women I know teachers and doctors, the other half housewives? Why don’t I know any women engineers, scientists, actresses, novelists, athletes, dancers, photographers, lawyers?
I never asked myself – Why do I have to wait for the driver or one of my parents to drop me to school or to a friend’s house? Why can’t I take the bus, a taxi or rickshaw?
Why must I send the cook to fetch that tub of ice-cream from the shop across the street for my slumber party? Why can’t I go myself?
Why can’t I play cricket in the park? Why can’t I wear jeans to Liberty Market? Why do I need a male friend to accompany me on my field visits to the shehr?
Why must I get married by the age of 24 and have at least one child by 26?
Why? Because that’s how things were.
I never questioned it, or if I did have questions, they were momentary. The main explanation, of course, was that I was a girl.
That was good enough. It was reasonable, it was appropriate. You never asked why your brother could do things you couldn’t, why there was one set of rules for the boys and another for the girls. To question that would seem presumptuous, daftly unrealistic, “Amreekan” – this is was Pakistan, this was how society functioned, and women were completely A-OK with it.
There were exceptions to the rule, of course, a handful of courageous women who dared to break into non-traditional roles and spaces – but these women, although publicly lauded, were implicitly looked down upon by middle- and upper-class morality. They were arrogant, promiscuous, “unfeminine”, or, they were supremely-gifted rarities that happened once in a generation, and while you admired them, you couldn’t possibly aspire to be like them.
And while life did go on, and the women of my class “progressed” day by day, from classrooms to TV screens to charity fundraisers – the socially acceptable, the superficially liberal – the greatest inhibitions remained.
What if I wanted to be a political activist, campaigning door-to-door and chanting slogans at rallies shoulder-to-shoulder with men? What if I wanted to be a social worker, visiting slums and prisons and acid-burn victims in teeming public hospitals? What if I wanted to be a professional musician, performing at cafés, parks, theaters, outside the protective walls of my school or college? What if I wanted to go for a stroll at midnight, sit at a roadside khokha chewing paan, live in a 3rd story flat in Anarkali, ride my bike to work?
What if I wanted to marry for love to a man “below” my class, to a foreigner, to a gora?
What if I wanted to do all of this, not to make any statements, not to be provocative, not be seen or talked about, but just because that’s who I was, who I wanted to be, and doing something contrary would be oppressive, inhibiting.
In New York, all the inhibitions inculcuated in you since childhood slowly chipped away. You could see yourself for who you were, and you could actually be that person. Nobody judged, nobody cared. People treated you as a human being, without the gender labels and cultural baggage. No one stared at you, no one harassed you. No one noticed you for being a woman, for being different. You were anonymous – and while that could sometimes feel lonely, it was also very liberating.
What it comes down to is choice. You coud choose to pursue your passion, and, married, divorced or single, childbearing or childless, rich or poor, be the happiest woman in the world for having done so – or you could be be like the neighbouring mother-of-4, whom society praises for raising such well-behaved children, for keeping such a tidy, efficient household, for having such an amicable relationship with her in-laws, for being so equable with the servants, and yet be lifeless inside, burdened with regret.
For no matter how noble the mission of wifehood and motherhood, no matter how sacred our notions of femininity, I do not believe that any woman can enjoy seeing her ambitions crushed. I do not believe that every aunty I know did not nurture a secret wish in her heart that she was not able to fulfill. And that was a loss not just for herself, but for everybody around her, for society, for the country – because one woman who lives life to her potential, who is brave and follows her heart, is far more inspiring than any number of daughters, wives and mothers imprisoned to their homes and kitchens and children and a job or husband they do not love.
So, yes, what would I miss about New York if I were to move back? The freedom to be. The choice to be. No double-standards. The same rules for men and for women. The same benchmarks for your daughters and your sons. And though I miss Lahore with all my heart, I do not miss its self-righteous upper-class morality.
Obviously, there will never be a day when you wake up in the morning and the men of Lahore cease to ogle, the aunties cease to matchmake, the uncles cease to lecture, and society ceases to preach one thing or other. It’s up to us to make that happen. It’ll take courage, but that’s the only way to live, the only way to free yourself from the invisible cages your mothers were trapped in, the only way to ensure that your children aren’t trapped the same way.
I’ll leave you with a request to read Ismat Chughtai, the brilliant grande dame of 20th-century Urdu literature, whose work inspired me to write this post. She wasn’t just a gifted writer – she was a keen social commentator, whose stories revealed the deepest of deep-rooted hypocrisies in middle-class Indo-Muslim society. She saw things for what they were, she saw herself for who she was, and she was not afraid to be that person, no matter how much people gasped and censured. Though times have changed and women are “freer” than they were in the 1960s, when Chughtai wrote “The Heart Breaks Free”, one of my all-time favourite stories, her observations are just as pertinent today, and we can learn much from them. I couldn’t find the story online, so I’d encourage you to go to a store, buy it and read it, in Urdu or in English. Enjoy!
Without prognosticating, analyzing, rationalizing – irrespective of what happens next week, the next day, or the next hour – I think what’s happening in Egypt right now is beautiful.
It’s one of those moments, those rare historical moments that you read about in your classroom within the pages of a textbook, and it all seems so distant, almost fictional, and as you memorize the facts for tomorrow’s quiz you believe quite firmly in your heart that nothing like that will happen in your lifetime. Because you were born too late, because such grand, moving events just don’t happen anymore…
When rank and class and position, the neighbourhood you live in, the clothes you wear, the work you do, the dialect you speak, everything that separates you from your fellow countryman or woman on any ordinary day suddenly melts away; when, for once, a system that is based on divisions and duties and somebody else’s rules breaks down, and people speak with one voice – not hundreds, not thousands, but millions. Then, there is no power, no number of tyrants, tanks or tear gas in the world that can silence them.
I’m not there in Tahrir Square in Cairo, but I can feel the thrill, the exhilaration that something momentous is unfolding before my very eyes.
It feels a little like the time when Obama became President in 2008. Irrespective of what came after, the broken promises, the disillusionment, that moment itself was pure magic; when a joy and a hope stronger than anything else swept over us at the I-house in Berkeley, and people from every corner of the world cried and cheered and celebrated in a unison that couldn’t be explained, only experienced.
Or the time when Pakistani students rose up against General Musharraf’s martial law in November 2007, abandoning their books and taking to the streets with a passion that nobody knew existed, and young people in Pakistan felt – even if only for those dramatic few weeks – that we actually had the power to change the society we lived in, for the better.
What ensues from such extraordinary moments isn’t always better, or different from before. But isn’t life more about the moments than the monotonous spaces between them? The birthdays, the marriages, the revolutions and revelations, those precious fleeting moments of unadulerated emotion that you savor and look back to forever?
Egypt has had its moment. Egypt will never be the same. The Arab world will never be the same.
And Egyptians aren’t thinking, “What if Mubarak doesn’t step down after all? What if the constitution isn’t changed at all? What if another puppet dictator takes over in his place?”
These questions and speculations and eternally encumbering “what-ifs” don’t bother them, shouldn’t bother them. The Egyptian people have spoken. They have shown their courage, their humanity, their unity to the world, and to themselves. That is the power, that is the point. That is what matters.